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Monday, February 18, 2019

A review of upgrades for The Source

I received the following interesting information from Richard Langthorp concerning his various mods to his deck. Thank you, Richard.

MRM  Source upgrades

Lid
The ‘retro-style’ smoked lid supplied can be replaced with a custom made lid if needed to suit the height of arm in use.  My external dimensions were 470w x375dx 83h – holes pre-drilled to suit the existing lid hinges which can be transferred.  Supplier used - Plastics-on-line in Hull.

Platter mats
The following mats auditioned on my Source (VTA adjusted to suit the changes in mat thickness) with the following findings;

Felt Mat (1.5mm) - softer and warmer with a fuller bass but provides a vinyl friendly surface to use on spinning platter.

Origin Live (1mm) – soft, flexible and vinyl friendly.  Noticeably more forward vocals and mid-band than felt mat and provided an increase in surface noise with a lighter balances but more punchy and ‘peaky’ in nature.

Origin Live on top of felt mat - this largely combined the best of the two, though surface noise remained a little higher than the felt alone.

Funkfirm Achromat (3mm) – positive first impressions, with seemingly a more open but forward mid-band, though there was a slight mid bass boom/bloom not encountered with any of the other mats.  Possibly imaged better and more punchy but longer term listening did leave the impression of introducing some mid-range colouration masquerading as greater openness?   Had concerns over dropping vinyl on to a relatively hard spinning surface.

Funkfirm Achromat (5mm) – whilst sharing some of the characteristics of the 3mm it sounded quite splashy and detached, strident and aggressive. 

Oyaide BR12 (5mm) – rather dulled and lacking sparkle and nothing really to commend it against the others with bass a little 'dead' and lacking colour/texture, detail and a bit lifeless, though the soft and patterned rubber should be kind to vinyl.

Blue Horizon (1.5mm) – very different visually comprising light coloured, soft (vinyl friendly) composite cork, rubber, leather combo.  Using only the single layer of the two supplied this provided a well-balanced presentation, solid, well defined bass, good imaging and provided vocals with a sweetness not present with any of the new mats and appeared to build on the best features of the felt mat and was well balanced and focused presentation.

The Blue Horizon appeared to show up the OL and Achromat as being coloured in bass, mid, vocal areas and a little 'confused' in the mid-range emphasizing sibilance/splashiness; which the Blue Horizon separated and left far more enjoyable and relaxing; all the other mats would have left an unsatisfactory compromise.

Power Supply

My Source came with a plastic cased 19V supply and having considered having a 2D or 3D supply made I decided to buy a bespoke but commercially available supply from MCRU. 

The new supply revealed more solid, punchy focused tuneful low frequencies, better rhythmically with greater texture and detail.  The mid-upper range showed vocals better separated on multi-mixes with greater space and improved fine detail and more natural throughout.  Soundstage was a lot wider with greater 3D effect in all directions with more space - an improved and more engaging experience.  On switch back to the basic supplied unit, the soundstage collapsed in on itself width quite dramatically, bass was a little slower and less interesting the whole sound being in relative terms a little flat and less natural. The only perceived changed in balance was that this now appeared a little 'thinner' and the mid/upper bass and the mid-range it appeared that there was now a 'bloom'/ or a layer of  unwanted background mush which had been eradicated in the new unit.

Mains lead

The standard mains lead was thinner, smaller, more forward sounding with an increase is surface noise; vocals a little veiled/pinched/raw compared with a Clearer Audio Copperline.  A further quite significant benefit was noted when using a Clearer Audio pure Silver Optimus Reference mains lead which produced tighter, more controlled and more punchy and dynamic low frequencies; mid and higher up the range the sound was more delicate, and open with more air around the vocals with a greater sense of fine detail, ultimately more natural, enjoyable and tuneful.